50 species of lizard and one species of snake reproduce through parthenogenesis (that’s the fancy word for producing offspring as a female without having sex).
Whiptails are stimulation ovulators. That is to say, they can’t ovulate without having sex.
So not only do they are give birth through immaculate conception, they’re ALL LESBIANS.
There are two kinds of parthenogenesis seen in reptiles. That used by whiptails and the other all female species is true cloning - the egg contains the female’s full genetic material).
Other species including komodo dragons use another form of parthenogenesis where they actually fertilize themselves, with a haploid polar body used instead of a sperm. Because of the way reptile sex chromosomes work, this form of parthenogenesis can produce males as well as females - however, the females produced have weird sex chromosomes and can only lay other females. It’s used as a backup reproductive strategy if they can’t find a mate. This works because in reptiles, unlike mammals, its the males that have two sex chromosomes the same (ZZ) and the females different (ZW). Females produced by parthenogenesis are WW - and that’s what happened to the whiptails. They lost the Z chromosome and now are all WWs.
Reptiles are fascinating.
So that means that bit I talked about on skype about lesbian dragons being able to reproduce in LotS has a basis!
Youtube once again butchered the framerate. Good job guys and goodbye 60 FPS video.
Ahem, this is the playthrough of Zniw Adventure (demo version). It shows most of the game mechanics and playstyle, as well as the first two locations. Some minor spoilers with hidden stuff and puzzle solutions, but it’s barely the beginning of the game, so nothing to worry about. Hope you like it!
©2014, Karolina ‘Twarda’ Twardosz. Developed by Crash Arts. All rights reserved.
But seriously, I’d pay money for that. LOTS of money. Amazing work, you two <3
Record-setting swing jump
WHAT THE HELL.
wait are these snk cosplayers
I THOUGHT THE PEOPLE TURNED INTO BIRDS OR SOME SHIT AND WERE MAJESTICALLY FLYING AWAY
ok so we are not going to talk about the fact they are all snk cosplayers
I bet half the people that reblogged this didn’t know this had to do with snk, we’re growing
LONG LIVE THE SNK FANDOM
Straight Pride Parade
In six seconds, you’ll hate me.
But in six months, you’ll be a better writer.
From this point forward—at least for the next half year—you may not use “thought” verbs. These include: Thinks, Knows, Understands, Realizes, Believes, Wants, Remembers, Imagines, Desires, and a hundred others you love to use.
The list should also include: Loves and Hates.
And it should include: Is and Has, but we’ll get to those later.
Until some time around Christmas, you can’t write: Kenny wondered if Monica didn’t like him going out at night…”
Instead, you’ll have to Un-pack that to something like: “The
mornings after Kenny had stayed out, beyond the last bus, until he’d had to bum a ride or pay for a cab and got home to find Monica faking sleep, faking because she never slept that quiet, those mornings, she’d only put her own cup of coffee in the microwave. Never his.”
Instead of characters knowing anything, you must now present the details that allow the reader to know them. Instead of a character wanting something, you must now describe the thing so that the reader wants it.
Instead of saying: “Adam knew Gwen liked him.” You’ll have to say: “Between classes, Gwen had always leaned on his locker when he’d go to open it. She’s roll her eyes and shove off with one foot, leaving a black-heel mark on the painted metal, but she also left the smell of her perfume. The combination lock would still be warm from her butt. And the next break, Gwen would be leaned there, again.”
In short, no more short-cuts. Only specific sensory detail: action, smell, taste, sound, and feeling.
Typically, writers use these “thought” verbs at the beginning of a paragraph (In this form, you can call them “Thesis Statements” and I’ll rail against those, later). In a way, they state the intention of the paragraph. And what follows, illustrates them.
“Brenda knew she’d never make the deadline. was backed up from the bridge, past the first eight or nine exits. Her cell phone battery was dead. At home, the dogs would need to go out, or there would be a mess to clean up. Plus, she’d promised to water the plants for her neighbor…”
Do you see how the opening “thesis statement” steals the thunder of what follows? Don’t do it.
If nothing else, cut the opening sentence and place it after all the others. Better yet, transplant it and change it to: Brenda would never make the deadline.
Thinking is abstract. Knowing and believing are intangible. Your story will always be stronger if you just show the physical actions and details of your characters and allow your reader to do the thinking and knowing. And loving and hating.
Don’t tell your reader: “Lisa hated Tom.”
Instead, make your case like a lawyer in court, detail by detail.
Present each piece of evidence. For example: “During roll call, in the breath after the teacher said Tom’s name, in that moment before he could answer, right then, Lisa would whisper-shout ‘Butt Wipe,’ just as Tom was saying, ‘Here’.”
One of the most-common mistakes that beginning writers make is leaving their characters alone. Writing, you may be alone. Reading, your audience may be alone. But your character should spend very, very little time alone. Because a solitary character starts thinking or worrying or wondering.
For example: Waiting for the bus, Mark started to worry about how long the trip would take…”
A better break-down might be: “The schedule said the bus would come by at noon, but Mark’s watch said it was already 11:57. You could see all the way down the road, as far as the Mall, and not see a bus. No doubt, the driver was parked at the turn-around, the far end of the line, taking a nap. The driver was kicked back, asleep, and Mark was going to be late. Or worse, the driver was drinking, and he’d pull up drunk and charge Mark seventy-five cents for death in a fiery traffic accident…”
A character alone must lapse into fantasy or memory, but even then you can’t use “thought” verbs or any of their abstract relatives.
Oh, and you can just forget about using the verbs forget and remember.
No more transitions such as: “Wanda remembered how Nelson used to brush her hair.”
Instead: “Back in their sophomore year, Nelson used to brush her hair with smooth, long strokes of his hand.”
Again, Un-pack. Don’t take short-cuts.
Better yet, get your character with another character, fast.
Get them together and get the action started. Let their actions and words show their thoughts. You—stay out of their heads.
And while you’re avoiding “thought” verbs, be very wary about using the bland verbs “is” and “have.”
“Ann’s eyes are blue.”
“Ann has blue eyes.”
“Ann coughed and waved one hand past her face, clearing the cigarette smoke from her eyes, blue eyes, before she smiled…”
Instead of bland “is” and “has” statements, try burying your details of what a character has or is, in actions or gestures. At its most basic, this is showing your story instead of telling it.
And forever after, once you’ve learned to Un-pack your characters, you’ll hate the lazy writer who settles for: “Jim sat beside the telephone, wondering why Amanda didn’t call.”
Please. For now, hate me all you want, but don’t use thought verbs. After Christmas, go crazy, but I’d bet money you won’t.
For this month’s homework, pick through your writing and circle every “thought” verb. Then, find some way to eliminate it. Kill it by Un-packing it.
Then, pick through some published fiction and do the same thing. Be ruthless.
“Marty imagined fish, jumping in the moonlight…”
“Nancy recalled the way the wine tasted…”
“Larry knew he was a dead man…”
Find them. After that, find a way to re-write them. Make them stronger.
Some of my favorite advice in a sea of shitty advice that some people give as if it is the end all be all or writing because they believe it. This is solid advice.
The new teaser trailer for Zagtoon’s ladybug!
This show still looks cute and I love the new CGI look.
Looks very detailed and promising!
Taking cues from Dr. Robotnik, I decided to make a little promotion for the wonderful people mentioned above, Meg Comb, Black Melody, Clara Knight and Cyjon. Hope I did the pony right, as I don’t usually draw stuff like this haha.
And a bit of shoutout for both the fans, and all the watchers - thanks for sticking with the blog ‘o mine, stay beautiful, you nice people, and have a grand day, my good ol’ chaps. (✿◡‿◡)
Crashu, you’re the fucking best ;w;
Oh gods, the text bubbles take forever for some stupid reason.
I am working on getting rid of this giant heads/small eyes thing I’ve been leaning towards lately. Also constantly experimenting with shading and backgrounds. Tell me what you think! <3